Full Guitar Effect Application – Last week, Shawn and I hosted a webinar on iPad productivity. Most of the webinars are about our personal iPad productivity workflows, many of which focus on GoodNotes (in fact, anyone who has purchased our GoodNotes course can play it), but I briefly mentioned who was playing live guitar on my iPad. My worship team at church.
There were a few questions that asked me to go a little deeper into how I do it, so here’s the full rundown of how it works.
Full Guitar Effect Application
One of the unique things about my situation is that I have to limit my “stage size”. Our church is pretty small, but we have a pretty big worship team, so when people get on stage, it can quickly start to sound like a jumble of sounds. So a few years ago I started looking for alternatives that would allow me to get as close as possible to the analog sound of a tube amp without the need for a physical amp on stage.
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Guitarists probably start shaking, because good tube sounds come from pushing the tube hard (ie, higher volume). Even though I’m an audiophile myself, the thought of replacing a tube amp on stage makes me a little disheartened. And honestly, I’ve yet to see anything that can fully recreate the warmth of analog sound in digital.
But I decided to see how close I could get, and I got a lot closer than I thought. I also picked up a few extra perks along the way, including being able to fully control my audio through the iPad Pro.
There are two parts that really make it work for me: the hardware and the software. In my opinion it is
It is important to separate them. I learned this lesson the hard way when I bought the Line 6 AMPLIF FX100 floor:
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Unfortunately, about a week after my return window closed, the AMPLIFI Remote app I was supposed to use to control it started crashing as soon as I opened it. This makes my new hardware completely useless. It’s extremely annoying and still hasn’t been fixed (the app currently has an average rating of 1.8 at launch and hasn’t been updated in over a year and a half).
Paying a lot of money for hardware that quickly becomes useless taught me a valuable lesson: make sure the hardware and software can work independently if you want your system to last.
I have had problems with both in the past. I’ve tried several plastic hardware devices and they seem to break when I step on them. And there are other boxes made to replicate real guitar effects stop boxes, but none can continue playing live because the latency (the time between playing the guitar string and hearing the PA sound) is too high .
Until I found the Xsonic Xtone, a USB guitar interface and MIDI controller disguised as a regular pedal.
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Here is a picture of my current pedal setup (Xsonic Xtone bottom center):
This all came to a screeching halt when the Xsonic Xtone couldn’t handle the digital signal processing of my entire guitar tone.
But the most impressive thing is that it takes a high-quality sound from my guitar, applies effects processing on the iPad and sends it collectively to the PA.
The pedal box itself looks sturdy. The metal box and footswitches feel like any other quality stop box I’ve used. I’m not worried about the reliability of this thing, even if I carry it back and forth from home to church often.
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The pedal also comes with a USB cable, a Lightning to USB 3 camera adapter, and a code for the $20 JamUp Pro Bundle, so you’ll have something to use right out of the box.
The JamUp software included with the pedal is made by Positive Grid. While everyone has their personal preferences, I like the sound of Positive Grid software and think they do a great job with effects and amp modeling. That said, I personally don’t use JamUp, I use another Active Mesh product called BIAS FX.
Don’t get me wrong, JamUp is a great app. In my opinion, the BIAS FX sounds a little better and gives you MUCH more control over the tones you create. The Positive Grid website has a section that explains the differences in detail, but the TL;DR is that BIAS FX is newer. Here’s an excerpt from the developer’s website:
It incorporates all the best and latest algorithms from our audio signal processing research and development, while providing highly detailed and realistic simulation of analog desktop pedals and studio gear.
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BIAS FX’s main interface has several distinct areas: at the top is a toolbar with presets and settings you can quickly recall, and below that is a signal chain that displays the combined effects. Enabled effects are permanent and currently disabled effects will appear slightly enlarged and grayed out. Below the signal chain is a close-up image of the selected effect. You can tap and drag any of these controls to sound however you want. You can add new effects by tapping the plus sign icon on the right and choosing from the effects you’ve unlocked in the app through in-app purchases.
There are many effects to choose from, and if you don’t need them all, you can just buy the ones that suit your playing style. For example, you can only buy analog effects or metal effects if you don’t want to buy everything. (For those curious, I bought everything through a special in-app product because I knew I wanted to play with everything).
The app has a live view that makes it easy to turn things on and off, giving you large buttons for certain effects and presets, but you can also change presets and controls with programmable Xtone pedals. Tap and hold the control you want to assign to Xtone, tap the Click to Learn MIDI button, and press the footswitch you want to assign.
In this example, I’ve set the trip pedal (which does a great job of emulating the classic Ibanez Tube Screamer) to turn on or off when you press the selected pedal.
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Although the Xtone only has three switches, you can store up to 9 actions this way because they can be stored in three different banks. Press and hold any pedal to activate that bank. The LEDs below the volume knob show green, blue or red to indicate which bank is selected, and each switch can be programmed for separate functions within each bank. You can also program the expression pedal this way to control the volume pedal or in BIAS FX.
Where things really get interesting (at least for a tone snob like me) is the companion app BIAS AMP 2. You can buy the amp simulator in the BIAS FX app and just use them, but BIAS AMP 2 allows you to control it.
Introduction to the amplifier models used in BIAS FX. You can even choose from different types of tubes to create the sound you want.
I won’t get into the weeds here, but any guitarist who has spent hours building their sound
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Just like the controls inside BIAS AMP 2. You can even control how the cab looks when it’s created, what kind of speaker you’re using, what kind of mic you want to simulate during playback, and even choose the mic position (or microphones).
Once you have everything you want, you can tap the BIAS FX button on the top toolbar to display your new amp model in BIAS FX Live.
It’s not all sunshine and rainbows. There were a few minor annoyances I had to deal with. Here are a few things that can make playing guitar on my iPad even better.
A long way in recent years. If (like me) you’re holding off because the hardware isn’t quite there yet, I recommend checking out the Xsonic Xtone pedals. It’s a quality audio interface that’s built like a tank and can handle direct noise. It also gives you the flexibility to use whatever software you want, which is a huge plus when proprietary apps are ignored (I’m looking at you, line 6). I recommend you take some time to learn everything
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